Coming late to this debate, here is my ha’penn’orth, to be taken as the view of a non-Marxist with a good deal of respect for Marx and none at all for most of his followers.
This quote from SiaAoW has been on my mind lately, and it gives me a reason (an excuse, really) to set down some of my own reflections on the matters it raises.
‘… the left “as a serious political project” died long ago, some time in the early 1920s if not before, when the deepest division of all - that between reformists and revolutionaries - became set in stone.’
Tell it like it is. Let’s take names, shall we? This is Lenin’s doing. He is the central figure of the twentieth century because he showed what Marxists would have to do to take and hold power. His example also demonstrates that in doing so they would have to destroy their own purpose, his method being simply mass murder pro bono publico. The Bolshevik coup of October (November by our calendar) 1917 was not motivated by anything except Lenin’s desire to hold absolute power. As some Marxist historians have said in order to justify the coup, some form of dictatorship was probably inevitable after the overthrow of the Tsar: but not the particular disastrous form that emerged. Lenin’s defenders have not adequately pondered the quote from Aristotle that Alan Bullock used as the epigraph to his great book on Hitler: ‘men do not become tyrants in order to keep out the cold’.
Lenin and the Bolsheviks could easily have co-operated with the other liberal and socialist parties in a type of popular-front emergency government with the goal of establishing a sort of social democracy. Instead he first excluded them and then crushed them. The dissolution of the Constituent Assembly in January 1918 was the sin that anyone who calls themselves a member of the left should ponder day and night. It’s a more seminal act than anything else he did (though foreshadowed by all his previous acts as boss of the Party). After that, his decision to destroy the other left-wing parties – the Kadets, the SRs - followed logically. Co-operating with them would have meant too many compromises. And since Lenin was in possession of The Truth, how could he compromise?
And by his side in all this, a loyal helper, was Leon Trotsky. The idea that Trotsky represented some sort of humane alternative to Stalin as Lenin’s successor is false. If Trotsky had won out the specific disasters brought by Stalin would not have befallen Russia and her neighbours: an entirely different (and not necessarily lesser) set of disasters would have come instead. There is not the least chance that Trotsky would have been able to accept the only principle that could have restrained Communist violence, megalomania and tyranny – the principle that the government should be accountable. (In theory democratic centralism makes the executive accountable to the Party, but only in theory.) After all, like Lenin, Trotsky had The Truth. (And the more disgraceful to Trotsky, he had seen what Lenin represented, had warned against him years before, and despite this had thrown in his lot with him.)
In summary: once Lenin had destroyed hope in 1917, the whole miserable history of the USSR (and the other countries it tormented) was already there, in embryo. It was not foreordained in detail, but it was foreordained that whatever followed would be disastrous.
Once upon a time there was a tradition of humane, learned ethical Marxism. Walter Benjamin was perhaps its finest ornament, Rosa Luxemburg its best practical exponent. Of course, both of them are palatable today because they never held any power. Benjamin was a sort of brilliant freak, all the more attractive to the Left because he was a martyr to fascism. His essay The Work of Art in the Age of Mechanical Reproduction is finely written and persuasive, and based in a deep knowledge of history, art and literature. It comes to a doubtful conclusion:
‘Mankind, which in Homer's time was an object of contemplation for the Olympian gods, now is one for itself. Its self-alienation has reached such a degree that it can experience its own destruction as an aesthetic pleasure of the first order. This is the situation of politics which Fascism is rendering aesthetic. Communism responds by politicizing art.’
The implication is that the politicisation of art is a response to a fascist deformity. In point of time it was not, since the politicisation of art was implicit in Marxism from the beginning, in the idea that art was a part of the superstructure. The other flaw in the essay is that it simply makes the same mistake that all Marxists were making at the time: the belief that fascism and capitalist democracy were the same thing fundamentally. (Orwell himself made this mistake during the 1930s, but he recovered from it, thanks to the war.) He displayed the usual aristo-Marxist contempt for liberalism (in the traditional sense of the word) as seen in Britain and the USA, both of which (in classic German style) Benjamin dismissed – in the cruellest way, by not mentioning them - as art-free plutocratic hellholes unworthy of serious consideration. But still, it’s a brilliant essay. RTWT.
Rosa Luxemburg represents the more actively political side of this tradition. She too was a martyr, so can’t be judged. (That was irony, by the way.) If anything she was the most important thinker in the broad Marxist tradition. I say broad, because her ideas – as expressed in the seminal work The Accumulation of Capital - in some ways represented a rejection of Marx. She was vexed by the question of why capitalism had not collapsed as Marx had predicted, and why it indeed continued to grow. In that, Luxemburg – ironically given her hostility to him - has something in common with Bernstein (another fine representative of the Marxist heretical tradition), who also used Marx as a source both of direct inspiration and fruitful error. Hannah Arendt sums up the theory in her essay on Luxemburg, and identifies the key idea in Luxemburg’s interpretation.
‘…the process of growth was not merely the consequence of innate laws ruling capitalist production but of the continued existence of pre-capitalist sectors in the country which ‘capitalism’ captured… Once this process has spread to the whole national territory, capitalists were forced to look to other parts of the earth, to pre-capitalist lands, to draw them into the process of capital accumulation, which, as it were, fed on whatever was outside itself… Hence, capitalism was not a closed system that generated its own contradictions and was ‘pregnant with revolution’; it fed on outside factors, and its automatic collapse could occur, if at all, only when the whole surface of the earth was conquered…’
As Arendt points out, the other Marxists of the time, Lenin at the head, denounced this as heresy. But:
‘The trouble was only that what was an error in abstract Marxism was an eminently faithful description of things as they really were.’
Marx might have got to the same point as Luxemburg if he had ever written his third volume of Capital, which was supposed to deal with international relations, though it would have meant changing his earlier theories.
Luxemburg and Arendt’s conclusion has some interesting implications for the consideration of contemporary globalisation. Most contemporary Marxists and radicals are unlikely to see them, however, or agree with them if they do, since most contemporary Marxism is predominantly emotive rather than rational – essentially concerned with feeling good rather than doing anything. It surprised me as a student to learn that the right was supposed to be emotional whereas the left was supposed to be rationalistic. Growing up in the 1970s and 1980s the discourses of the two sides always appeared to me the other way round.
The tradition of humane, cultured Marxism, permanently suspect of heresy, is a fragile one. Its representatives are marginal to the Marxist tradition which is itself marginal to mainstream society. No wonder Benjamin and Luxemburg look exotic even as blooms within the Marxist garden. Not surprising too that the tradition is virtually dead. These guys keep it alive.